Sunday, December 28, 2008
Final Regular Season Ranks
Saturday, December 27, 2008
Ready for the Worst
I arrived in New York much like one starting over would arrive anywhere new; I had a suitcase and an address in my hands, and was having trouble deciding which streets went north and south. I was as excited as I was apprehensive, as sure as I was unsure. Manhattan is somewhere around 1,100 miles away from the Twin Cities, and the difference goes beyond geographical.
If you can believe it, the Vikings play at 1 p.m. here—maybe obvious to those with a basic understanding of time zones and Minnesota’s geographical relation to New York. Sadly, the time difference (however indistinguishable from the team’s vantage) appears to have little bearing on their play. Every fall Sunday in New York the streets are spotted haphazardly with the colors of jerseys from teams across the country. The Bengals, the Eagles, the Cardinals—you name it. In the West Village there is a bar owned by a Packer fan, a place where those beer-swilling, foamed-headed fans gather each week (although, certainly a person whose blood runs as purple as this writers’ would have no reason to further investigate said establishment.)
And what of us Vikings followers? Those downtrodden, cynical, forever-on-the-verge-of-giving-up fans that hardly make it out of their tree stands most Sunday afternoons? It is no overstatement: purple and gold jerseys are few and far between east of the St. Croix. After finding a suitably empty bar in North Brooklyn, I bunkered down each week on a stool in the corner, ready to watch the Minnesota Vikings alone in the largest city in this country.
To my surprise, that scene was broken by the arrival of some other dislocated Midwesterners. First, it was, most unfortunately, a Packer fan. A Milwaukee native and University of Minnesota grad, this Packer fan at least had the courtesy to ignore me. But each week the Viking fans showed their faces at that odd 1 p.m. start time. In flannel jackets no less, one even sporting camouflage hunting pants. One day I turned to find Craig Finn, that Twins-loving, rock band-fronting singer from the Hold Steady. Here, I thought, is a slice of home, Minneapolis on a bar stool beside me.
He had more to say about Minnesota’s professional baseball team—and, in fairness, they had just completed a whirlwind week, sweeping the rival White Sox before squandering a spot at the playoffs—than the purple ones. And the Twins are a decidedly more pleasant topic placed beside a Vikings-Lions game in October. Our Twins are the underdogs that never quit, a collection of no-names that can’t stop winning. Facing very realistic bad expectations, they came out of the first season post-Torii Hunter just one game out of the playoffs. Meanwhile, the 0-4 Lions were beating our other state representatives.
That difference is a little hard to come to terms with. On one hand, the Twins are everything that is right with the sport of baseball; they are a small-market team that always overachieves; they draft well, they use their farm system well, and they have one of the most traditional and fundamental-leaning coaches in the majors in Ron Gardenhire. We love their players. We love Joe Mauer and Justin Morneau, and we loved Torii Hunter and Kirby Puckett.
Meanwhile, the Vikings have recently been cast as a group of delinquents. Drugs, boats, fights—though it is hard to imagine them landing a punch, if their quarterbacks are any indicator of their collective accuracy. Ownership ponies-up huge contracts to players who may or may not actually return that investment. And they lose. They lose in the most painful ways possible. They fumble, they give up ridiculous touchdowns to punt returners, twice in one game (OK—so they won that game. But still!). Their head coach so closely resembles a former sitcom character (think military father figure), that one sometimes is ready to forgive his bad challenges and dubious play-calling; if only he really were Major Dad. At least we would know that it was a failed experiment, a PR-ploy, anything but reality.
The now Vikings find themselves poised on the brink of the playoffs, one victory away from a home wildcard game. To make it worse, they don’t even have to win to get in; if Chicago loses its last game the Vikings can back in to the 2008 NFL playoffs. The Vikings have lost some unfathomable number of potential playoff-clinching games in the last five or six years, including last week at home against Atlanta, and could buttress their reputation as perennial choke-artists this week with a loss. Let’s just say that an entire fan base is more than prepared for that unbearable result.
As for the fans, rest assured, the old saying is true: You can take the Viking fan out of Minnesota, but you can’t take Minnesota out of the Viking fan. I’ll be right there with the rest of them, every Sunday, that rag-tag bunch that call themselves Vikings fans (not publicly, if we can avoid it). We’ll be the ones shaking our heads for three hours, asking “What was that?” every other play.
Friday, December 26, 2008
Week 17
Thursday, December 25, 2008
Late Rankings
Monday, December 22, 2008
Vikings 17 Falcons 24
Wednesday, December 17, 2008
Week 15
Tuesday, December 16, 2008
Shuffle the ranks
Sunday, December 14, 2008
No field goal?
Wednesday, December 10, 2008
Week 15
Tuesday, December 9, 2008
Upsetting Stat, Part II
Another ranking
Sunday, December 7, 2008
Vikings 20, Lions 16
Thursday, December 4, 2008
Upsetting Stat
Wednesday, December 3, 2008
Week 14
Tuesday, December 2, 2008
Top Five, Bottom Five
Monday, December 1, 2008
Vikings 34 Bears 14
Glorious Sunday
Wednesday, November 26, 2008
Week 13
Tuesday, November 25, 2008
Week 12 Rankings
Monday, November 24, 2008
Wrong Again
Friday, November 21, 2008
Will Johnson Interview
Brad: You grew up in Missouri?
Will Johnson: Yeah, the first 12 years of my life.
BT: And you went to high school?
WJ: In Texas.
BT: What kinds of concerts were you going to? What was the scene like around you?
WJ: Around that age, I was going to…good lord. Typical junior high and high school kind of shows, maybe Van Halen or Huey Lewis and the News. But then, after a while the baton started getting handed off to punk rock shows, then it became smaller venues and you know Soul Asylum, Hüsker Dü, something like that.
BT: This was in Denton?
WJ: I was living in Killeen, TX, but the closest place to go to see shows was Austin. It was only an hour drive. There was a venue there called Liberty Lunch, and they would let me and my underage friends in, so I’d see a lot of shows that way.
BT: You’ve got the Minneapolis bands represented there.
WJ: Yeah I got to see the Minneapolis bands come through. I got to see the Replacements around that time for the first time. That was like ‘86, ‘87. So yeah I was lucky to be in proximity of Austin.
BT: When did you start playing drums?
WJ: When I was probably about 4 or 5 I think. I got a toy drum kit from my father at that age and kept with it.
BT: Was it awhile later that you started playing guitar?
WJ: Yeah, I think I started playing guitar when I was 16 or 17.
BT: Dave Grohl is a great drummer, but he doesn’t play drums in his own band. Has that ever been an issue for you, when Matt’s playing drums, that you want to step in?
WJ: Oh man... Never, I’ve really never had that urge. I do have the urge to play drums, I love playing drums. But I never feel some overwhelming rush of “just let me do it,” because he’s (Matt Pence) such an incredible and astonishing drummer.
BT: You do play on some of the records.
WJ: I do, I play on some of the recordings. Often times it’s a result of his encouragement. I love doing that, I really do have fun playing drums on our recordings, but rarely do I find myself insistent on playing a part.
BT: Do you guys record live or more piece-meal?
WJ: We kind of piece-meal it. More times than not we build it up like a big old cake. Sometimes we’ll cut guitar and drum parts live, but we’ll stack it up over the course of a day.
BT: Every one of you plays more than one instrument, how do you decide from song to song who is going to play what? Is it just what sounds right?
WJ: Yeah, it seems kinda like a cop-out answer, but generally that is kinda the way it goes. Someone picks up something and if they’re inspired by the instrument that happens to be in their lap, then that’s what we wind up going with a lot of the time.
BT: You’ve written and recorded a ton of songs. How do you know when it’s time to go into the studio? You also write while you are in the studio?
WJ: These days I’m writing a lot in the studio, and I’m kinda warming up to that. I’ve always written a little bit in the studio, but with the Centro-Matic side of Dual Hawks the majority of it was written right in the studio, in the moment. So lately we have done a lot more writing in the studio than I ever did previously. Honestly, it’s just a matter of knowing when that next, maybe six weeks, two months advance notice of having some studio time… It’ll definitely be in the back of my brain, and I’ll start picking away at parts and a lot of the time 50% of the recordings, these days, is written in the studio. I may show up now with six or seven songs that I really like and the rest of it we just let the record evolve with all of us there. It seems like it takes on a natural birth better that way than, “Hey, here are our 15 songs, we’re gonna do these.” I guess it feels natural doing it this way.
BT: A lot of people never have these issues, but when you started performing was there any stage fright or hesitation to put your own songs in front of people?
WJ: There was pretty significant hesitation when I first started playing under the name Centro-matic. That was before we even had a band, so I would play under the name Centro-matic solo. The only reason I had that first show was because my best friend is a promoter in Denton and he went ahead and booked the show and made up fliers and posters and everything, and said, “Hey I know you’ve got material and you’ve been thinking about playing out. I’ve got you a show two weeks from tonight.” And I insisted, absolutely not, I’m not going to jump on the stage and play. And he said, “It’s too late, I’ve already made posters and fliers and everything, so you’re committed now.” Initially I though, “Wow what an asshole thing to do.” But in hindsight it was probably the right thing to do, I’m glad that he did it. It kind of kicked me in the ass and got me ready to play.
BT: Before that you had been drumming right? That didn’t really prepare you?
WJ: Not for standing with a guitar. With the drums I felt like I could hide a little bit and could just become part of the backdrop. Standing up there singing was weird for the first little while. I had glasses at the time, and I ‘d always take the glasses off so as to just blur everything. So I couldn’t see the whites of people’s eyes, I could just see figures. That made it a little easier.
BT: I’ve noticed that Patterson Hood sort of carries the flag for you guys, and I think I saw Derry deBorja at the show last night…
WJ: Yeah, he’s right over there.
BT: What is it like to have that sort of respect from your peers?
WJ: …It still really strikes me. It just means a lot, it keeps me inspired as a writer, and it keeps all of us inspired and hopeful as a group. I’ve known Patterson for eight or nine years now and we’ve become really good buds actually. We just talked for about a half an hour earlier tonight. Sometimes I’m still taken aback that I get to be friends with some of very favorite musicians and songwriters. It’s nice to be able to call and say hey let’s go hang out or have coffee or make a record or whatever we might want to do. It still kind of floors me.
BT: They were just here with the Hold Steady, there some… real moments. I read somewhere that he wants to tour with you guys again next year. Any plans?
WJ: We tried for some stuff in January and February, but due to personal schedules and everything we can’t all commit, so we’re just going to do three shows in Athens in January with them. And then, take a look into next year, see what everybody’s schedules are looking like. Anytime we get an excuse to all hang out together, we do, be it recording or a couple one-off shows or a tour, we try to make an effort. He and I are talking about doing some recording together next year.
BT: And you’ve backed him on some of his solo stuff, live stuff.
WJ: Yeah, that’s correct. Scott Danbom and I have played on his solo stuff and on Drive-By Truckers stuff. Yeah, just about any excuse we get to hang out we’ll try to take advantage of it.
BT: We always like to ask people what they are listening to at the moment.
WJ: These days I’m listening to this new eccentric soul compilation, from the Brotherman soundtrack, which finally got released after 30-plus years. Been listening to this girl Sarah Jaffe, she’s a Denton songwriter, a really, really amazing songwriter. Um…Constantines a little bit, I’ve been liking them a lot. What else… there’s one that I’m totally blanking on, that I keep going back to and back to… I keep going back to that old DJ Shadow record, Introducing.
BT: Do you get a chance to go see a lot of shows?
WJ: These days not so much. Coming up I’m going to be home for about two and a half months, so I’ll finally get a chance to get to go to shows and not have to load in.
BT: Is there any significance, I noticed last night that you changed clothes between sets?
WJ: I’ll usually shed a layer, but no there no real costume change or anything crazy like that. The most extravagant thing is maybe I’ll change into a pair of tennis shoes for Centro-matic. But, there’s no overwhelming change of face or anything like that. It does take a few minutes to shift gears between the styles of music, and say “OK, now we’re gonna turn it up…”